Know Your Meme
So a combination of seeing an ancient shitpost about Boku No Pico and my big mouth made it that I am now somehow obliged to give examples of Joseph's Cambell's The Hero's Journey through yuri art of Edelgard and Byleth. For those unaware, l'll explain it below: THE HERO'S JOURNEY 12. Return with Elixir 1. Ordinary World 2. Call to Adventure 11. Resurrection 3. Refusal of the Cll ORDINARY WORLD 4. Meeting the Mentor 5 Crossing the Threshold 10. The Road Вack 6. Tests, Allies, Enemies SPECIAL WORLD 9. Reward, Seizing the Sword 7. Approach 8. Ordeal, Death & Rebirth To save myself time, I'm just gonna quote descriptions. The Hero's Journey is a pattern of narrative identified by the American scholar Joseph Campbell that appears in drama, storytelling, myth, religious ritual, and psychological development. It describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization. 1. THE ORDINARY WORLD. The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma. The hero is shown against a background of environment, heredity, and personal history. Some kind of polarity in the hero's life is pulling in different directions and causing stress. WHAT IS IT. PRO- FESSOR? WHAT DO YOU THINK. EDIE? SHALL WE. AH, PROFESSOR! LITTLE BUSY RIGHT NOW. 0-OH, FÖR ME? WHY, YOU SHOULDN'T HAVE. CARNATION INITE TO TEAR OH, NO TÁKE YOUR TIME. AFTER- WARDS. THEY HAR LOTS ANB LOTS OF PERFECT TEATIME. SHUT UP! SO EASY. SACK LATER THE CALL TO ADVENTURE. Something shakes up the situation, either from external pressures or from something rising up from deep within, so the hero must face the beginnings of change. THANK YOU. WHAT IS UP WITH HER... SMILE... IS SOMETHING WRONG WITH ME?? FIN 3. REFUSAL OF THE CALL. The hero feels the fear of the unknown and tries to turn |away from the adventure, however briefly. Alternately, | another character may express the uncertainty and danger ahead. Í DOUBT ROMANCE IS SOMETHING SOMEONE LIKE YOU IS INTERESTED IN I'M NOT COMPLETELY DISINTERESTED! OH REALLY? IS THERE SOMEONE YOU'VE GOT YOUR EYE ONP ...CANT SAY I DO. 4. MEETING WITH THE MENTOR. The hero comes across a seasoned traveler of the worlds who gives him or her training, equipment, or advice that will help on the journey. Or the hero reaches within to a source of courage and wisdom. Hey El, , check this out ORIK 5. CROSSING THE THRESHOLD. At the end of Act One, the hero commits to leaving the Ordinary World and entering a new region or condition with unfamiliar rules and values. PROFESSOR, BE MY WIFE AFTER I BECOME THE EMPEROR. 6. TESTS, ALLIES AND ENEMIES, The hero is tested and sorts out allegiances in the Special World. OTHER QUALITIES IT HAS COME TO MY ATTENTION THAT EVERYONE IN THIS ROOM SEEMS TO BE ATTRACTED TO PROFESSOR BYLETH YOUR STUDENT EVALUATIONS WERE A DISGRACE! MISS BYLETH IS OUR TEACHER, NOT SOME IECE OF MEÁT TO OGLE IT'S NOT LIKE I DO NOT UNDERSTAND YOUR FIXATION, BYLETH IS AN EXCEPTIONALLY BEAUTIFUL WOMAN AFTER ALL BUT WE MUST ADMIRE HER OTHER QUALITIES! HER PROWES ON THE BATTLEFIELD, FOR EXAMPLE! THE WAY SHE GRASPS HER SWORD WHENS HE GOES IN FOR THE KILL, HOW HER WHOLE SODY TENSES „STRIKING HER ENEMY DOWN, HER HAIR FLYING AROUND HER FACE AND A SHEEN OF SWEAT ON HER FAIR, SUPPLE SKIN. HER EYES ARE FIERY FURY, AND HER BREAST HEAVES WITH EFFORT. SO YOU ENJOY WATCHING ME FIGHTP.IS THAT WHY YOU NEVER BEAT ME WHEN WE SPARP PRO-PROFESSOR!! 7. APPROACH. The hero and newfound allies prepare for the major challenge in the Special world. I KNOW YOUu'ee NOT A PAN OF OPERA PDOFESSOP, BUT I'M SURE I CAN MAKE YOU SINSS DOROTHEA NO! DOPOTHEA 8. THE ORDEAL, DEATH AND REBIRTH. Near the middle of the story, the hero enters a central space in the Special World and confronts death or faces his or her greatest fear. Out of the moment of death i comes a new life. Haah.. It's Kind of difficult to train in thiS heat, don+ You think? So bot. Oh Professor! We've become rather fond of this heat though, right Edie?? AhA V TEACHER, I CAN'T- MY MOTIVATION MAXED 9. THE REWARD, SEIZING THE SWORD. The hero takes possession of the treasure won by facing death. There may be celebration, but there is also danger of losing the treasure again. you SEE THAT?! THAT'S THE RAW POWER OF MARRIAGE! 10. THE ROAD BACK. About three-fourths of the way through the story, the hero is driven to complete the adventure, leaving the Special World to be sure the treasure is brought home. Often a chase scene signals the urgency and danger of the mission. This is Cour "Stop pining from afar and just get on with it" Shirt 11. THE RESURRECTION. At the climax, the hero is severely tested once more on the ithreshold of home. He or she is purified by a last sacrifice, another moment of death and rebirth, but on a higher and more complete level. By the hero's action, the polarities that were in conflict at the beginning are finally resolved. BLACK EAGLES- POST TIMESKIP WAR COUNCIL ...OUR CURRENT TARGET IS THE GREAT BRIDGE OF MYRDDIN. CAPTURING IT WILL PROVIDE us WITH SAFE- WHAT'S THE MATTER, HUBERT? PLEASE, mpletaly aninaraad I REFUSE. THE PROFESSORS 12. RETURN WITH THE ELIXIR. The hero returns home or continues the journey, bearing |some element of the treasure that has the power to transform the world as the hero has been transformed. ※赤の絵県 しまっただけ

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The yuri journey


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Know Your Meme

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