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Star Fox Zero channels everything bad about Wii U game design Bad motion controls and boring missions kill Star Fox Zero's fun BAYONETTA 2REVIEW: HEAVEN AND :04p @aegies This isn't a review of Star Fox Zero. Save for very rare, extreme circumstances, Polygon reviews require that a game be completed, or at least a good-faith effort be made to Arthur Gies I am not playing any more S Star Fox Lero. THE NIECHER 3: WILD H OFF THE PAT DAILess positive is the same exaggerated sexualization that hung heavy und the last game's neck. I'll forgive the high heels and the xaggerated proportions, if only because there's so many other things to criticize. Bayonetta's new outfit delivers bold new developments in revealing clothing with the introduction of diamond cutouts on the ass of her jumpsuit, creating what I can only refer to as "under-butt" cleavage. When standing in place her shoulders are bent back to point her chest at... whatever on May 13, 2015 at That said, the world CD Projekt has created is oppressively misogynist. In some ways, the game deals directly with this -characters acknowledge again and again that it's hard to be a woman there, that it's a place of violence and terror and that women must work harder to be recognized and Then it kills them, over and over. There are several mon wronged women whom Geralt is frequently asked to destroy, and other villainous characters are shown torturing or even butchering women to show just how evil they are. One sequence seemed specifically designed to see how long I could listen to a major female character have her fingernails pulled out before I ended the conversation to attack the individual in question. A later scene shows villain literally surrounded by the bodies of murdered prostitutes. But even this is minor compared to the game's camera, which zooms in on Bayonetta's parts like they're products being sold in a commercial. There are enough gratuitous ass-shots, cleavage jokes and spread legs to fill an hours long super cut. The camera doesn't look at it leers at When they're not being murdered, women in The Witcher 3 are comically sexualized. Nudity is everywhere - think Game of Thrones on HBO - and even when they're dressed, female leads don't have it much better. One character, the subject of an extended series of side quests and whom plays a fairly important role in advancing the story wears a dress with a neckline so wide I was pretty sure I was seeing an areola every time she turned to the side (no, seriously). This is frequently provided as an implicit reward for doing well. For anyone who didn't play the first game, here's a bit of premise: Much of Bayonetta's supernatural power is tied into her hair. Her clothing is actually composed of this hair magic, and as she performs more powerful attacks, more of this hair magic is diverted from covering her to compensate. Put simply, Bayonetta's strongest attacks result her clothes flying off. For more intense quicktime sequences, she'll even do a sexy pose as it flies off, with the absolute barest minimum covered. Other moments are truly worthy of eye-rolling - as when one male character criticizes a woman for going into battle with her shirt hanging open, which is really the snake eating its own tail of video game sexism in BAYONETTA 2'S PRURIENT 'REWARDS' ARE TOTALLY UNNECESSARY t portion o male characters are game where a signi similarly and impractically exposed. Even Ciri, a daughter figure for Geralt and someone revealed to be incredibly powerful in her own right, walks around with her shirt unbuttoned in the middle, with a pretty cl view of a bra underneath -even when her at It's sexist, gross pandering, and it's totally unnecessary. Bayonetta 2 needs prurient rewards even less than the original Bayonetta did, because the on-screen chaos you can wreak through skilled play is infinitely more satisfying. ttire changes to feature a ned collar i windoW was miracu aming my next WRAP BAYONETTA 2'S BLATANT OVER-SEXUALIZATION PUTS A BIG DENT IN AN OTHERWISE GREAT GAME WRAP UP: When Platinum Games is on, it's really, really on, and Bayonetta 2 is in almost any respect that counts a better game than the first, whose mechanics were already exemplary. But every time I'd feel on a roll, enjoying my time with Bayonetta 2 immensely, I'd be broken out of it by another cheap shot of T&A. I would be wrecking a flock of angelic or demonic enemies, sliding in and out of witch time almost at will, and then the special weapon I had picked up became a literal stripper pole for Bayonetta to dance on, because well, because, I guess. So, there's my deep dark secret, I didn't finish Code Name STEAM. Sneer all you want, but the credit scroll would literally have to include a treasure map to a working jetpack before I'd consider finishing this brutally misguided, horrifically dull debacle Code Name: STEAM was reviewed using a pre-release download code provided by Nintendo. You can find additional information I won't guess why the blatant over-sexualization is still there, often more intensely than before. But it causes an otherwise great game to require a much bigger mental compromise to enjoy 3.5 Bayonetta 2 was reviewed using a "retail" download code provided by Nintendo. You can find additional information about Polygon's ethics policy here. About Polygon's Reviews 7.5

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Gamergate (harassment campaign) Article Talk From Wikipedia, the free encyclopedia For other uses, see Gamergate (disambiguation). Gamergate or GamerGate (GG)[¹] was a loosely organized misogynistic online harassment campaign and a right-wing backlash against feminism, diversity, and progressivism in video game culture. [2][³] It was conducted using the hashtag "#Gamergate" primarily in 2014 and 2015.[1][4][5][6] Beginning in August 2014, Gamergate targeted women in the video game industry, most notably feminist media critic Anita Sarkeesian and video game developers Zoë Quinn and Brianna Wu, among others.[7][8][9][10][11] The harassment campaign included doxing, r--- threats, and death threats.[12][13][14] Gamergate proponents ("Gamergaters") stated that they were a social movement, but lacked well-defined goals, a coherent message, and leaders, making Gamergate difficult to define.[15][16][17] Gamergaters claimed to promote ethics in video games journalism, claimed to be protecting the "gamer" identity, and opposed what they asserted as "political correctness" in video games.[18][19][20][21][22] Read Date Target Gamergate, online harassment campaign in 2014-15 that targeted women in the video game industry. The attacks were attributed largely to white male right-wing gamers who railed against the rise and influence of women and feminism in the industry. Gamergate served as a recruiting tool for the growing alt-right movement and helped spur the online “Pizzagate" conspiracy theory, which soon spawned the wider QAnon conspiracy movement. …………………………....…..……….…..... Attack type Victims Motive View source Inquiry XA 28 languages ✓ Perpetrators Internet trolls, particularly from 4chan, Internet Relay Chat, and 8chan View history Tools ✓ Gamergate August 2014 - 2015 Women in the video game industry See all media Online harassment campaign Zoë Quinn, Anita Sarkeesian, Brianna Wu, and others Gamergaters created conspiracy theories falsely accusing Quinn of an unethical relationship with video game journalist Nathan Grayson.[23][24][25] More broadly, they alleged unethical collusion between the press and feminists, progressives, and social critics.[17][26] [27] These claims were widely dismissed as trivial, conspiracy theories, baseless, or unrelated to actual issues of ethics in gaming and journalism.[28] [29][30] Gamergate supporters frequently denied that the harassment took place, falsely claiming it to be manufactured by the victims.[31][32] Misogyny anti-feminism anti- progressivism FBI investigation Gamergate has been described as a culture war over cultural diversification, artistic recognition, feminism in video games, social criticism in video games, and the social identity of gamers.[28][33] [34] [35] Many supporters of Gamergate opposed the increasing influence of feminism and so-called "social justice warriors" on video game culture. [2][36] Gamergate led figures both inside and outside the gaming industry to focus on methods of addressing online harassment, ways to minimize harm, and prevent similar events. [37] [38] [39] [40] Gamergate has been viewed as a contributor to the alt-right and other right- wing movements.[21][41] Video game developer Brianna Wu

Jalen Hutchinson Studied Culinary Science at Culinary Institute of America (Graduated 2014). Author has 304 answers and 740.1K answer views. 5y Not that I care that much either way, but it did expose a lot of corrupt game developers and game journalists. X Journalists would make claims of people like Anita Sarkeesian "playing video games all her life" when she openly admitted many times she is not a gamer and only starter recently (when it wasn't for an interview). Various developers trading sex or money for good reviews got exposed, journalists who accepted got exposed. People became a bit more critical about supporting a game just because the developer has a victim complex stating tat their game could have only failed because of sexism, instead of their own poor developing skills. What really sealed the deal was opposition often faking their own harassment. Anita sarkeesian and Zoe Quinn have been caught multiple times screenshotting "harassment" while showing that the harrasser's account name in the login. Or when someone called the police to help Sarkeesian against a "very real threat" she was posting about, only for police to find the harasser's messages were coming from her IP address. I just want honesty from the community, and the lies were mostly exposed by the "dreaded" gamergate. 1.3K views • View upvotes 26

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